La casa di bernarda alba atto primo

Lorca: The House of Bernarda Alba. He was also gay, and his homosexuality together with his sympathy for Republican causes made him a target of conservatives. In Augusthe was executed by a firing squad outside his native city of Granada, shortly after the beginning of the Spanish Civil War July April Despite several attempts after the Civil War to locate his burial place, his body has never been found, a fate he shares with thousands killed during the war.

It was completed in Junea couple of months before his death. First staged in Buenos Aires init was not allowed to be shown in Francoist Spain until The Spanish title Yerma is regularly used in English translations.

That classification is not universally accepted since 1. Other women enter the house briefly but only one is given a name, Prudencia.

The honour theme has a long tradition in Spanish drama, and was a major element of the theatre of the Golden Age approx. Lope de Vega, the most popular and influential dramatist of the period, claimed that honour conflicts moved all people powerfully.

La casa de bernarda alba Audiolibro completo

Lost honour required redress, usually by killing the offender. Honour, social status and appearance are her guiding principles. For women, freedom is a constant and unwinnable battle. Society allows men liberty to leave the house and experience sexual freedom it denies women. Kill her! At the same time, her authoritarianism also allows Lorca to insert other universal preoccupations into the play: the role of authority, the search for independence, the consequences of confinement, the tensions created by envy, hate, greed, love, jealousy, sex, hypocrisy ….

Act I. Although she has served Bernarda for 30 yearsLa Poncia has no love for her mistress whom she describes as cold, domineering, tyrannical and hated by everyone While cleaning up, Criada reveals in a short monologue that Antonio Benavides will no longer be able to lift up her petticoats behind the door leading to the yard At this pointBernarda arrives accompanied by her five daughters and several women mourners, all dressed in black.

Bernarda dominates the conversation. Another order ensues: that the men awaiting some lemonade in the patio are not to be allowed into the house One of them is Pepe el Romano who, we learn lateris courting Angustias. Some uncomplimentary comments about Bernarda whispered by three of the women present are followed by a ritualistic prayer and response led by Bernarda, after which the mourners depart leaving Bernarda, La Poncia and her daughters alone The suffocating heat prompts Bernarda to ask for a fan.

Adela hands her one decorated with red and green flowers, which Bernarda immediately hurls to the ground as inappropriate to give to a widow. She demands a black one, at the same time impressing on her daughters that the house will go into mourning for eight years and that it is she who orders in the house. Bernarda tells the Criada to let her mother out into patio before she turns her attention to Angustias who has disappeared.

Adela rather maliciously informs Bernarda that she has seen Angustias peeping through the cracks in the door. Bernarda shouts for Angustias, berates her for going after men and demands to know who she was looking at.

Left alone with La Poncia, Bernarda engages in a gossipy dialogue about a village scandal discussed by the men and overheard through the window. It is a titillating event. According to La Poncia, a married woman —Paca la Roseta- was a willing sexual participant with one of the village men while her husband was tied up to a manger Bernarda is intrigued at the same time that she condemns Paca, and is horrified that Angustias has heard about it and many other shameful things according to La Poncia Toda la obra sucede en el interior de la casa de Bernarda, donde ella vive con sus cinco hijas, su madre, su criada La Poncia y otra criada.

El primer acto comienza con dos criadas limpiando la casa, mientras que en una iglesia cercana se lleva a cabo el funeral del esposo de Bernarda.

Las mujeres hacen murmuraciones. Los hombres permanecen en el patio, fuera del espacio visible. Magdalena se muestra desconforme con la tarea de bordar el ajuar que les asigna su madre. Adelala hija menor, sale a jugar con las gallinas con un vestido verde que no respeta el color del luto.

Luego, entre las hermanas comentan que Pepe el Romano va a casarse con Angustias por el dinero que ha heredado. La anciana dice que quiere ir a casarse a orillas del mar. La Poncia dice que ve a Adela intranquila y asustada. Las hermanas comentan la hora en que se fue Pepe el Romano la noche anterior tras hablar con Angustias, y hay un desacuerdo. Luego, La Poncia les habla de lo poco que pueden esperar de la vida matrimonial. Adela se queja de su hostigamiento. La Poncia luego habla con Adela para advertirle que abandone sus encuentros con el hombre.

Adela sale en enaguas por la puerta del corral. Ellas pelean y entra la madre furiosa. Martirio sale tras ella y vuelve diciendo que Pepe ha muerto. Cuando encuentran el cuerpo de Adela, la madre pide que la vistan como a una virgen, sin importar que sea mentira, y vuelve a establecer un nuevo tiempo de luto.

Remember me. Forgot your password?Il poeta avverte che questi tre atti vogliono essere un documentario fotografico.

Muri spessi. Porte ad arco con tende di tela iuta che terminano in una frangia grossa a uncinetto. Sedie impagliate. Quadri con scene inverosimili di ninfe e re leggendari. Un gran silenzio ombroso si spande sulla scena.

Si odono rintoccare campane. Sono venuti i parroci da tutti i paesi. Ah, grazie a Dio! Possiamo star sole un momento. Sono venuta per mangiare. Le ho aperto il recipiente delle salsicce. Ha le dita che sembrano cinque grimaldelli.

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Se Bernarda non trova tutto come uno specchio mi tira i pochi capelli che mi restano. Capace di sedersi sopra il cuore di una e di guardarla morire per un anno di fila, senza perdere mai quel sorriso gelido che ci ha stampato su quella faccia maledetta. Pulisci, pulisci quelle stoviglie!

Che riposo per il suo, povero marito! Sono venuti a vederlo morto e ci hanno fatto una croce sopra. Che si seggano per terra. Lei non vuole essere spiata nel suo dominio. Possa entrarle negli occhi un chiodo di dolore! Oh, la sua vita non gliela invidio di certo. Suonano le campane. Vado a sentirmelo. Mi piace come canta il parroco. Rimbombavano le pareti, e quando diceva Amen, era come se fosse entrato un lupo nella chiesa.

La serva pulisce. Ricominciano a suonare le campane. Din, din, dan! Che Dio gli abbia perdonato! Che ci aspetti molti anni!Muros gruesos. Sillas de anea.

Es verano. Un gran silencio umbroso se extiende por la escena. Se oyen doblar las campanas. Very white room inside house of Bernarda. Thick walls. Arched doors with jute curtains topped with arbutus and flyers. Rattan chairs. Paintings with unlikely landscapes of nymphs or kings of legend. It's summer. A great shady silence stretches across the scene. When the curtain rises, the scene is alone. You can hear the bells tolling. Criada: Ya tengo el doble de esas campanas metido entre las sienes.

Han venido curas de todos los pueblos.

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Priests have come from all the villages. The church looks beautiful! Magdalena fainted during the first response. La Casa de Bernarda Alba es la primera obra en la que Lorca elimina casi por completo el verso. Yo he venido a comer.Muros gruesos.

Sillas de anea. Es verano. Un gran silencio umbroso se extiende por la escena. Se oyen doblar las campanas. Sale la Criada Criada: Ya tengo el doble de esas campanas metido entre las sienes. Han venido curas de todos los pueblos.

Yo he venido a comer.

la casa di bernarda alba atto primo

Le he abierto la orza de chorizos. La Poncia: La vieja. Criada: Con dos vueltas de llave. A la Criada Limpia bien todo.

La casa di Bernarda Alba

La Poncia: Tirana de todos los que la rodean. Criada: Sangre en las manos tengo de fregarlo todo. Cesan las campanas. La Poncia: Los de ella. Vinieron a verlo muerto, y le hicieron la cruz. La Poncia: Sobran.

la casa di bernarda alba atto primo

Que se sienten en el suelo. Ella no quiere que la vean en su dominio. Claro es que no le envidio la vida. La Poncia: Nosotras tenemos nuestras manos y un hoyo en la tierra de la verdad. La Poncia: En la alacena Este cristal tiene unas motas. Se echa a toser Criada: Te vas a hacer el gaznate polvo. Sale riendo La Criada limpia. Suenan las campanas Criada: Llevando el canto Tin, tin, tan. Tin, tin, tan. Criada: Tin, tin, tan.

Mendiga: Vengo por las sobras. Cesan las campanas Criada: Por la puerta se va a la calle. Mendiga: Siempre me las dan. Se van. Suelos barnizados con aceite, alacenas, pedestales, camas de acero, para que traguemos quina las que vivimos en las chozas de tierra con un plato y una cuchara.

La Criada se va sollozando Los pobres son como los animales. Parece como si estuvieran hechos de otras sustancias. Bernarda: Pero las olvidan delante de un plato de garbanzos.

la casa di bernarda alba atto primo

Muchacha 1: Con timidez Comer es necesario para vivir. Bernarda: A tu edad no se habla delante de las personas mayores. Se sientan. Pausa Fuerte Magdalena, no llores.Commentators have often grouped it with Blood Wedding and Yerma as a "rural trilogy".

Lorca did not include it in his plan for a "trilogy of the Spanish land" which remained unfinished at the time of his murder. Lorca described the play in its subtitle as a drama of women in the villages of Spain. The deliberate exclusion of any male character from the action helps build up the high level of sexual tension that is present throughout the play.

Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never appears on stage. The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women. Upon her second husband's death, domineering matriarch Bernarda Alba imposes an eight-year mourning period on her household in accordance with her family tradition.

Bernarda has five daughters, aged between 20 and 39, whom she has controlled inexorably and prohibited from any form of relationship. The mourning period further isolates them and tension mounts within the household. After a mourning ritual at the family home, eldest daughter Angustias enters, having been absent while the guests were there. Bernarda fumes, assuming she had been listening to the men's conversation on the patio.

Angustias inherited a large sum of money from her father, Bernarda's first husband, but Bernarda's second husband has left only small sums to his four daughters. Angustias' wealth attracts a young, attractive suitor from the village, Pepe el Romano. Her sisters are jealous, believing that it's unfair that plain, sickly Angustias should receive both the majority of the inheritance and the freedom to marry and escape their suffocating home environment.

Lorca: The House of Bernarda Alba. Summary Act I.

Youngest sister Adela, stricken with sudden spirit and jubilation after her father's funeral, defies her mother's orders and dons a green dress instead of remaining in mourning black. Her brief taste of youthful joy suddenly shatters when she discovers that Angustias will be marrying Pepe.

la casa di bernarda alba atto primo

Poncia, Bernarda's maid, advises Adela to bide her time: Angustias will probably die delivering her first child. Distressed, Adela threatens to run into the streets in her green dress, but her sisters manage to stop her. Suddenly they see Pepe coming down the street. She stays behind while her sisters rush to get a look, until a maid hints that she could get a better look from her bedroom window. As Poncia and Bernarda discuss the daughters' inheritances upstairs, Bernarda sees Angustias wearing makeup.

Appalled that Angustias would defy her orders to remain in a state of mourning, Bernarda violently scrubs the makeup off her face. The other daughters enter, followed by Bernarda's elderly mother, Maria Josefa, who is usually locked away in her room. Maria Josefa announces that she wants to get married; she also warns Bernarda that she'll turn her daughters' hearts to dust if they cannot be free. Bernarda forces her back into her room. It turns out that Adela and Pepe are having a secret affair.

Adela becomes increasingly volatile, defying her mother and quarreling with her sisters, particularly Martirio, who reveals her own feelings for Pepe.Muri spessi. Porte ad arco con tende di tela iuta che terminano in una frangia grossa a uncinetto.

Sedie impagliate. Quadri con scene inverosimili di ninfe e re leggendari. E estate. Un gran silenzio ombroso si spande sulla scena. Quando il sipario si alza, la scena vupota. Si odono rintoccare campane. Sono venuti i parroci da tutti i paesi. La chiesa parata che una meraviglia. Al primo responsorio Maddalena svenuta. E quella che rimane pi sola.

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Era lunica che voleva bene a suo padre. Ah, grazie a Dio! Possiamo star sole un momento. Sono venuta per mangiare. Se vedesse Bernarda!.

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Gi, ora che lei non mangia, dovremmo morire tutte di fame! Sarrabbi quanto vuole! Le ho aperto il recipiente delle salsicce. Oggi non se ne accorger di sicuro.

E la vecchia.

La casa de Bernarda Alba Resumen

Lhai chiusa bene? Ho dato due giri di chiave. Devi girare anche la spranga.


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